Amir HooshangEbtehaj, with a pen name as Sayeh, is a writer with special style and exclusive to himself. Due to his great talent and poetic genius, he sought something more than what was available in the society. Mentally speaking, he is a thought-centered poet who makes a combination of introversion and extroversion in his thoughts, and when he suffers from external social disorders, he refuges to introversion; in other words, inner poems. Despite evading from norms and going unconventional, he involves some arrays of mysticism. In spite of their originality, grace, and Iranian tradition, his poems takes the color of novelty, cross bordering, and freshness. His concepts, THEMES, and messages have a different color even with MYSTICAL THEMES. This paper tries to investigate the MYSTICAL THEMES of Sayeh’ s poem through the descriptive analytic method in research.

The authorities of Hamidi and Golestan Saadi are very important books in Persian literature in different periods, whose structural and content similarities allow a comparative study of that period from different perspectives. In this article, which is organized in a descriptive-analytical way, by using content analysis, the MYSTICAL THEMES and THEMES of these two books have been considered and their comparative study has been done, and their similarities and differences have been stated. By choosing the format of the story and using the principles of storytelling, Hamidi and Saadi have tried to show their writing skills and motivate the reader to read their work. These two writers, while creating art in literary and fictional choices, incorporate traces of mysticism and realize the similarities of MYSTICAL concepts, THEMES and THEMES in the scenes of these stories and the influence of spiritual, moral, MYSTICAL and literary atmosphere on the characters. The difference is that in Golestan, the MYSTICAL color is more in line with Hamidi's authorities. In the authorities alone, there is an obvious authority in Sufism.

This article titled by "Comparative study on MYSTICAL THEMES in Masnavi and Saebs' Divan" is review with detailed comparative analysis of the fiveTHEMES such as: oneness, unity, perdition, love and devotion in these two books. At beginning writer try to give a MYSTICAL definition for each theme, then, studying mentioned contents in the Masnavi and Saebs' Divan comparatively. Since the Saebs' Divan has not quoted anecdotes and THEMES are presented in the form of single bits, whileMasnavi is full story; so researcher has tried to generally accommodate the Masnavicontent without relying on anecdotes. Surly the mystic Rumi's worldview is not comparable with Saebs' worldview because Saeb is poet and Rumi is mystic. However, in poetry of Saeb can be seen wisdom and mysticism that it is undoubtedly influenced by Rumi and Hafiz. The aim of this study is to examine common THEMES in the Masnavi and the Saebs' Divan.

Mysticism and MYSTICAL literature at the Islamic Andalusia was The extraordinary expansion and many poets and writers emerged in Andalusia and created works on sufism which is usually associated with innovation in form and meaning. with study of islamic sufism in Andalusia we are familiar with the intellectual trends that for understanding of islamic sufism is very effective. Among the branches of MYSTICAL literature in Andalusia, poetry had significant growth And numerous poets emerged that most of whom are unknown in Iran. Among them is a great poet and mystic of the sixth century, Abu Midian Occidental That beautiful poetry and eloquent in the MYSTICAL THEMES and theoretical and practical teachings of sufism is written. In this study, we try to analyze the most MYSTICAL THEMES this poet's poems based on descriptive-analysis.

From the beginning of the creation, man seeks a way to know his creator. Appearing and development of MYSTICAL schools refers to this need. From way back, Iran has been a cradle of mysticism and culture, and the rich Persian literature has expressed ample MYSTICAL and cultural concepts. But it is necessary to review MYSTICAL doctrines to coordinate them with the ways of thinking of modern man. The teachings of Jalal al-Din Rumi have been inspiring for many thinkers throughout the world and we can see the traces of his ideas in some contemporary spiritual movements. In the present article, the attempt has been made to compare common THEMES in MYSTICAL thoughts of Rumi and teachings of Osho. The results of the research show that many of teachings of Osho can be found in mysticism of Rumi, and these teachings can guide the modern man to reach to spirituality and exalted MYSTICAL state.

Sheikh Baha'i is one of the great scientists of the Safavid era who has been an expert in various scientific fields. One of the aspects of his personality that is manifested in his poetry is his MYSTICAL behavior and approach. Sheikh Baha'i has received his MYSTICAL thoughts from its original sources, namely the Qur'an, the hadiths of the Prophet (PBUH) and the Ahl al-Bayt (AS); In the meantime, his acquaintance with Sahifa Sajjadieh and his knowledge of the works of Iranian mystics has played a significant role in shaping his MYSTICAL thoughts. This article aims to identify the MYSTICAL THEMES in Sheikh Baha'i thought and to analyze his Arabic poems by content analysis method. The results show that MYSTICAL THEMES in Sheikh Baha'i's Arabic poems include various THEMES, the most important of which are love, anti-hypocrisy, spiritual wine, carpentry, intuition and MYSTICAL dance. The basis of his MYSTICAL poems can be summarized in love and self-cultivation, which leads to the acquisition of intuitive knowledge and makes him needless of school and lessons.

Mirza- Muhammad-ali Sa-eb (1601/02-1677) also called Sa-eb Tabrizi, is the celebrated Persian poet whose reputation is based primarily on some 300,000 couplets. His “Indian style” verses reveal an elegant wit, a gift for aphorism and proverb, and a keen appreciation of philosophical and intellectual exercise. Even though MYSTICAL symbols and ideas are prevalent in his poetry, it has not received enough attention. This article tries to study the MYSTICAL concepts, like annihilation, oneness of being, as well as death, in his poetry.

It is believed that Azan and Iqameh (Prayer call and practice), as a sign of belief and the song of faith of Muslims, are not just a call to declare their presence in the rightful place; however, they carry high content of faith and mysticism with many worship and spiritual works. In the present study, attempts have been made so as to provide a general conceptualization, indicate the value and credibility of its revelation and worship, and offer the MYSTICAL and spiritual blessings of this awesome sound. Accordingly after referring to the heavenly and revelatory origin of Azan, special attentions have been paid to its devotional value in the hadiths. In the meanwhile from different religions perspectives on Azan and Iqameh, Azan’ s interpretations were taken into account. In the second major section of this paper, some less well– known contents of Azan were considered with regard to the brilliant MYSTICAL THEMES on the basis of faith and belief since all its vocabularies are divine, the confession and affirmation of the mission, and the manifestation of right. In addition, the composition and arrangement of the statements comprise a course of Allah to Allah with the spiritual journey from the horizons of the heart to the Alailin. In the end, some of the spiritual works of Azan’ s versions were also provided for religious subject advocates.

Regarding the issues of divine leadership, belief in the unseen, heeding the teachings of Qur'an, spiritual-MYSTICAL tendencies, and martyrdom-seeking youths, revolution, and especially Holy Defense, with its potentialities, provided the ground to reflect MYSTICAL THEMES in resistance literature. With his mastery in the fields of religious and traditional literature, the contemporary occasional poet, Qazeh, could find his way into in this area well, as he has frequently used MYSTICAL words and phrases in his poetry. Employing these elements in his works, in various ways such as interpretations, Qranic-MYSTICAL allusions, and the names of books by mystics and Sufis suggest the extent of his knowledge. His criticism of pretenders to mysticism, and his unveiling of their passive way of thinking and his own thought system have provided a special place for practical Sufism. The present study, carried out based on library research method and content analysis, is an approach to the importance of mysticism in resistance literature and the poet's literary capacities that could be the reviver of the forgotten prominence of moral virtues of the Holy Defense.

Vafaye Farahani is one of the poets of the twelfth century, who has left many works. One of his unfamiliar works is his Divan, which includes various aspects of advisory, MYSTICAL, educational, and moral THEMES. The examination of this poet’ s Divan shows that he has paid special attention to the traditional poets of Persian literature and had been most impressed by Saadi's poets. His acquaintance with MYSTICAL THEMES and indications is like Sa’ di's acquaintance with MYSTICAL contents, THEMES, and teachings. However, Sa'di cannot be considered a mystic poet. Love has emerged as the most striking MYSTICAL theme in the Divan of Vafaye Farahani with loving and romantic appearances. This research seeks to highlight the effectiveness, samples and various types of these indications in the Divan of Vafaye Farahani, an unknown poet of the return period.